Pearl Mae Bailey (March 29, 1918 – August 17, 1990) was an American actress and singer. After appearing in vaudeville, she made her Broadway debut in St. Louis Woman in 1946. She won a Tony Award for the title role in the all-black production of Hello, Dolly! in 1968. In 1986, she won a Daytime Emmy award for her performance as a fairy godmother in the ABC Afterschool Special, Cindy Eller: A Modern Fairy Tale.
Her rendition of "Takes Two to Tango" hit the top ten in 1952.
She made her stage-singing debut when she was 15 years old. Her brother Bill Bailey was beginning his own career as a tap dancer, and suggested she enter an amateur contest at Philadelphia’s Pearl Theater. She entered, won first prize, later won a similar contest at Harlem’s famous Apollo Theater, and decided to pursue a career in entertainment.
Bailey began by singing and dancing in Philadelphia’s black nightclubs in the 1930s, and soon started performing in other parts of the East Coast. In 1941, during World War II, Bailey toured the country with the USO, performing for American troops. After the tour, she settled in New York. Her solo successes as a nightclub performer were followed by acts with such entertainers as Cab Calloway and Duke Ellington. In 1946, Bailey made her Broadway debut in St. Louis Woman. Bailey continued to tour and record albums in between her stage and screen performances.
Autograph scanned from publicity photo
In 1954, she took the role of Frankie in the film version of Carmen Jones, and her rendition of "Beat Out That Rhythm on the Drum" is one of the highlights of the film. She also starred in the Broadway musical House of Flowers. In 1959, she played the role of Maria in the film version of Porgy and Bess, starring Sidney Poitier and Dorothy Dandridge. Also that year, she played the role of "Aunt Hagar" in the movie St. Louis Blues, alongside Mahalia Jackson, Eartha Kitt, and Nat King Cole. Though she was originally considered for the part of Annie Johnson in the 1959 film Imitation of Life, the part went to Juanita Moore, for which Moore received an Academy Award nomination.
In 1967, Bailey and Cab Calloway headlined an all-black cast version of Hello, Dolly! The touring version was so successful, producer David Merrick took it to Broadway where it played to sold-out houses and revitalized the long running musical. Bailey was given a special Tony Award for her role and RCA made a second original cast album.. That is the only recording of the score to have an overture which was written especially for that recording.
A passionate fan of the New York Mets, Bailey sang the national anthem at Shea Stadium prior to game 5 of the 1969 World Series, and appears in the Series highlight film showing her support for the team. She also sang the national anthem prior to game 1 of the 1981 World Series between the New York Yankees and Los Angeles Dodgers at Yankee Stadium.
During the 1970s she had her own television show, and she also provided voices for animations such as Tubby the Tuba (1976) and Disney's The Fox and the Hound (1981). She returned to Broadway in 1975, playing the lead in an all-black production of Hello, Dolly!. She earned a B.A. in theology from Georgetown University in Washington, D.C., in 1985.
Later in her career, Bailey was a fixture as a spokesperson in a series of Duncan Hines commercials, singing "Bill Bailey (Won't You Come Home)".
In her later years Bailey wrote several books: The Raw Pearl (1968), Talking to Myself (1971), Pearl's Kitchen (1973), and Hurry Up America and Spit (1976). In 1975 she was appointed special ambassador to the United Nations by President Gerald Ford. She enrolled in Georgetown University and, at age 67, graduated with a bachelor's degree in theology. Her last book, Between You and Me (1989), details her experiences with higher education. In 1988 Bailey received the Presidential Medal of Freedom from President Ronald Reagan.
The One and Only Pearl Bailey - Pearl Bailey
01. A Man Is A Necessary Evil
02. A Porter’s Love Song To A Chambermaid
03. Easy Street
04. Everybody Loves My Baby
05. I Can’t Rock And Roll To Save My Soul
06. My Man
07. That’s My Weakness
08. The Gypsy Goofed
09. There’s Plenty More Where That Came From
10. You Waited To Long